Reviews, Vol. I, Issue III
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There was a time when Midnight’s Children was being written
not just by a person, but by a nation; here comes another time when another
narrative of modern India has taken birth from the womb of a nation, instead of
a mind. Rajkamal Jha’s novel She Will
Build Him A City published by Bloomsbury India is such a saga which tells
multiple tales entwined into one grand narrative; just like this nation - India,
known for its oneness and plurality; divided by states, united by a nation.
The story is about the midnight’s
grandchildren as well as the great grandchildren of the same night, who are out
there on the streets of a city (which is going through the process of mallification)
in order to build their own destinies. It is all visible in the pages of this
book. The urge is clear; to tell a tale which has been craving to come out
since quite some time.
The narrative begins
with three different tales, of a Woman, a Man and a Child, enveloping various
identities, ideas, viewpoints, emotions such as - love, horror, grief, guilt,
destiny, belonging and forgiveness, altogether, but emerges as a single,
unified tale by its edge.
The story begins where
it ends; as the capital city Delhi covers itself with the quilt of night, the
woman - a mother, spins tales from her past for her sleeping daughter.
“This, tonight, is a summer night,
hot, gathering dark, and that is a winter afternoon, cold, falling light, when
you are eight years nine years old, when you come running to me, jumping commas
skipping breadth, and you say, Ma, may I ask you something and I say, of
course, baby, you may ask me anything …
“
Now an adult, her child
is a puzzle with a million pieces, whom she hopes, through her words and her
love, to somehow make whole again.
“Tonight is thirty years forty
years later.
So quiet is this little house that
I can hear, from upstairs, through the walls of the room in which you are
lying, the drop of your tear, the rush of your breadth.
One’s like rain, the other wind,
they both make me shiver.”
Meanwhile, a young man,
thirty years, thirty—five years old, rides the last train from Rajiv Chowk
Station and dreams of murder.
“He is going to kill and he is
going to die.
That’s all we know for now, let’s
see what happens in between.”
The narration is
postmodern, indeed; as incidents keep merging from past and present, enveloping
the technique of flashback, most importantly.
In another corner of
the city, a newborn wrapped in a blood-red towel lies on the steps of an
orphanage as his mother walks away.
“The night is so hot the moon
shines like the sun, its light as bloodless white as bone, casting a cold
shadow of a woman as she steps off an autorickshaw, carrying her newborn
wrapped in a thin, blood-red towel, tells its driver to wait, walks up Little
House, a home for children,, orphaned and destitute, leaves the baby on its
doorstep, turns and walks away into a wind, slight but searing, that slaps her
in the face and fills her eyes with water.
An essential and
interesting instance is put together in the novel through a red balloon. As this
thirty years, thirty—five years old man tries to get into a relationship with a
beggar girl who sells red balloon; it immediately strikes a linking cord with a
short French film Le Ballon Rouge (The
Red Balloon) by Albert Lamorisse. Similar to the little boy in the film,
the man anticipates the balloon girl flying with him in the sky taking him on a
ride over the city.
It also relates to the
famous song "Girl with the Red Balloon"
written by John Paul White and Joy Williams, as well as with the widely
acclaimed painting - “Girl with a Balloon”
by Banksy.
The characters of Jha develop
as develops his city – it becomes a character in itself.
Intriguing, intense and
intricate, this may seem as the story of a city and its people; but in reality,
it is the story of a nation and its people.
Raj Kamal Jha has
expertly blurred the division between the narrator and the narrated. His tricks
are upright and probably make one turn back the pages to confirm themselves
twice, thrice. His language is effortless but layered into manifolds. As a
reader of this novel, it becomes essential to be doubly sure, what has been
read just the past page.
His reliance on
narrative techniques such as fragmentation, paradox, and the unreliable
narrator are capable enough to deceive the readers while going through the
revelations of the “New India”.
The blurb of Raj Kamal
Jha’s She Will Build Him A City clarifies
the soul of its narrative very well - There are twenty million bodies in this
city, but the stories of this woman, man, and child--of a secret love that
blossoms in the shadows of grief, of a corrosive guilt that taints the soul,
and of a boy who maps his own destiny--weave in and out of the lives of those
around them to form a dazzling kaleidoscope of a novel.
Reviewed by Varsha Singh
Managing Editor, Reviews
A scholastic and useful review for further detailed research on the novel. Thank you so much ma'am for your contribution.
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