Reviews, Vol. I, Issue III
Doors to Freedom
Jaydeep
Sarangi in his latest poetry collection ‘A
Door Somewhere?’ grapples with the living with glowing eyes and a wide view
of the horizon. He rekindles the urge for exploration of the elusive mystique
and summons side by side the dissipating humanity.
In her
excellent introduction, Dr Usha Bande mentioned “When words and ideas rush
through the mind, there is no choice but to express them, to write them down
and offer the world a vision albeit a personal one.” That is what Jaydeep believes
and conveys from word to word, from image to image in constructing a ‘living
totality’. He reiterates, “Poems are the ventilators for fresh air to come in a
suffocating life of fact and reasons.”
Jaydeep is
easy on ears and his readers will enjoy reading especially for that reason.
Each death
has a story./Each story has a reader./You and I are in the story. (Counting
Beads)
Some of his
poems are insufferably emotive. Always drawn to lyrical moments and allure of
truth, he captures the essence of life bit by bit.
Life’s
ember/Sparks with a flash/A tender journey within/With a magic rod/To enlighten
each rock/Speaking to one another.
Most of his
poems are held together by the intensity and the urge to share the visual
beauty and lyrical grace but never have they shrunk from showing the actual
space and time. We can figure out (they have long roots) what they mean and
what their world for all the same.
Life’s acts
are shadows of the past/Shadows are residue/Of light and lighted trajectory./The
optimists you. (Playing with Shadows)
Keki
Daruwala, the noted writer, very aptly said “Jaydeep Sarangi gives a fresh
paint to everyday living.” The firmly worded and
contoured or glistening, his poems are full bodied painting.
A place has
an echo of the people/All around the power circle./Night’s crossing over/Embracing
the red Sun at the horizon/Radiation of a power hub/Sweet birds twitter for/One
being and consciousness. (Dawn at Pondicherry).
Admittedly,
‘Door’ is the word that lift the soul submerged and Jaydeep knows well that
words using as metaphors (‘a door is always a door’) can have consequences,
just like actions. Yet in many instances, it’s in the repetition of the
signature word ‘Door’ in a symbolic motion, the whole details are told in a
perfect manner.
It’s a door
between the self and the world,/Despair dances in Hope’. (A Door- Somewhere?)
Or
A poet is a
translator/He translates for his reading world/Through a door,/Whispers in time/To
another door somewhere. (A Door)
It’s not so
much that the poet is scared or unwilling to enter into the burgeoning mix and
the complexities of the modern world but still he finds his way to the mind of
the readers who share resonance with their life and experience. He is a word
artist, not fighter, no dewy doubt about it.
Blood is sold at low price, all can buy it./May be with a discount/One bottle free, if you buy one (Globalised manners)
So
creative, so vivid and rich are his poems that they inlet at a deeper level
than the normal process and change the direction of the thought streams. The
visual imagination is always tested in his verses.
You and I/Alone in this circle of actions/The coconut tree my father and I planted/Dances sweetly along the monsoon thunderstorm./My father had left me alone./Wheel runs on me, I wait for my second coming (Lonely Bard)
In spite of
good intention, a few of the poems are more like wish-fulfillment or the
pleasure principle. (A mirror or In memory of an Inkpot etc.). That said, the
beauty of the language in undeniable in spite of the subject of the poems
sinking into insipid conversations. In a way, his sympathy for the ‘Caged Bard’
is understandable and he can wait and surprise the passionate readers later on
with these gems,
The
daybreak is leaning/On the doorway now, with shadows of an earlier night,/Night’s
lullabies welcome the yellow sun (Day Breaking)
or
I conjure,
I wait./everyone is only waiting,/patiently waiting./each one for the other…
(Waiting)
In his
note, Jaydeep mentioned emphatically ‘Poems connect continents’. Reading the book,
cover to cover, does provide a rich experience of a long walk across the
continents to the door of poetry and his poetry is always a pleasure to read.
Staying resolutely independent, he is surely forging ahead a path, embedded in
history and peerless in dissecting the humanity and beauty in their simplest
forms.
Rob Harle’s
Cover design and Artwork is in tune with the metaphor of this poetry
collection. You readers do yourself a favour and read this book at the
earliest.
Reviewed by Gopal Lahiri
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