Reviews, Vol I, Issue II
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Bedridden bookworm, Ruth Swain, spins a
story focused on the paternal genealogy of her family aided by the insights
from the inhabitants of her rural Irish village and some famous literary
characters.
I am not surprised that this book made
the long list for the ManBooker 2014. Niall Williams has created a work which
is both deeply insightful, emotionally rich, evoking universal themes through a
parochial lens and above all it is so beautifully written that you could
imagine that each sentence might have taken a week to sculpt.
While it is set in the present day the
story has a classic edge and is told by the agoraphobic, ill-stricken and
well-read narrator Ruth as she occupies her time in the attic of her family
home trying to paint a literary picture of her father. To do this she explains,
she must begin with her Great-Grand Father. We are treated to their rich
history which she patches together by borrowing from voices of long dead
authors.
Ruth’s narrative is full of lovely
ironic humour which underlines the regret she feels her ancestors sensed about
their own offspring.
Even though the story is set in
post-economic-bust Ireland the style is classic in nature. It is a first person
internal monologue from the self-confessed unreliable narration from Ruth. She
admits very early on that she knows little about her ancestors but manages to
bring them alive through the many references from literary authors, their
characters and gossipy allusions from the ‘real’ people who live in her village
of Faha. It is these devices which breathes life and grounds William’s novel
and its main character.
Like a song the music of the sentences
lures you in and like a river the winding story carries you to the end.
Her own character is an amalgam
influence of the classic texts of Charles Dickens and Robert Louis Stevenson to
which she alludes often. She is externally bitter at her confinement but her
softly jumbled internal voice proves that lives can be lived and created
through literature. Ruth Swain’s character exemplifies the differences between
the way people think and the way we act.
This is a novel about seeking and
revealing truths about the world, about families, about community, about
isolation, the overcoming of obstacles, loss and about writing.
As well as all of the above “History of
the Rain” is a novel that speaks directly to readers and writers about how
stories are put together. The allusions to literary characters are treated in
such a way that readers familiar with them will warm to their memories but
Williams introduces them with a style that will not alienate those unfamiliar
with the texts. This combined with the narrator’s comic use of the
colloquialisms from her neighbours throughout the story makes the novel in some
ways a subtle guide to writing.
He is proving the point that he makes in
this sentence which arrives toward the end of the novel.
“Each book is the sum of all the others
the writer has read”.
This is a wonderful sum.
Reviewed
by Benjamin Moore
Benjamin Moore is a writer/blogger and
reviewer. He lives in Ireland.
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